plagal tones造句
例句与造句
- The ambitus of the authentic tones was made up the same way as used in the Greek Octoechos, while the plagal tones used a lower ambitus : not the tetrachord above the pentachord, but below it.
- Although the Latin names were not identical, there is some resemblance between the intonation formula of the echos plagios tetartos ?r ??? and the Latin name " Noeagis ", used as a general name for all four plagal tones.
- The eight sections of the Latin tonary are usually ordered " Tonus primus Autentus Protus ", " Tonus secundus Plagi Proti ", " Tonus tertius Autentus deuterus " etc . Each section is opened by an intonation formula using the names like " Noannoeane " for the authentic and " Noeagis " for the plagal tones.
- According to the Latin synthesis the ambitus as in the Hagiopolitan Octoechos, but authentic and plagal tones used both the " finalis " of the " plagios ", so that the " finalis " of the " kyrios ", the fifth degree of the mode, was no longer used as " finalis ", but as " repercussa " : the recitation tone used in a simple form of psalmody which was another genuine invention by the Carolingian reformers.
- It's difficult to find plagal tones in a sentence. 用plagal tones造句挺难的
